Join us for a special two-night CLEAT Series presentation of Chris Knowlton’s Echo Network! This work is a dance, sound and technology performance that explores networked synesthesia, sensory substitution and the idea of sound as touch at a distance. The work draws biomimetic inspiration from mammals like dolphins, bats, wolves, elephants and whales who use echolocation, calls and songs to navigate low-visibility environments and strengthen social bonds. Haptic data from muscle sensors and pressure-sensing insoles worn by dancers drive immersive projections and real-time spatialized soundscapes in Elastic Art’s CLEAT system, allowing the audience and dancers to hear the dance. With elements first hatched during the 2023 Chicago Cultural Center Dance Studio Residency and further expanded in a 2025 work-in-progress showing, ‘Echo Network’ experiments with new modes of non-verbal accessibility in dance. The project imagines a naturalized digital social network as a place for embodied connection as the ensemble navigates themes of discovery, play, exchange, migration and loss.
8pm start both Friday and Saturday evening.
$15 / $10 w/ Student ID - Tickets Available at the Door
Artist Bios
Christopher Knowlton (lead artist / director - he/him) is a queer transdisciplinary movement artist and research scientist who uses emerging technologies to create augmented and interactive performance work. Inspired by science, nature, play, improvisation and human-centered approaches to design, he has produced many solo and collaborative dance works that have been featured locally and internationally, spanning dance, film, new media, puppetry and storytelling. Chris is also a biomechanical research scientist at the Motion Analysis Laboratory at Rush University Medical Center.
Rachel Damon (collaborative dancer - she/they) is a designer, choreographer, producer, educator, and performer whose career connects classrooms, backstage, and presentation. As a Co-Director of Synapse Arts, they have been honored by support from MetLife, Chicago Dancemakers Forum, 3Arts, Illinois Arts Council, City of Chicago, Awesome Foundation, CliffDwellers Foundation, and more. Damon’s projects have been presented at MCA Chicago, The Detroit Institute of Art, Ingenuity Cleveland, TEK BOX Minneapolis, The Field Museum, Roy Hart International Arts Centre (France), and Vo’Arte (Portugal), and in parks, stairwells, and alleys galore. Damon has developed her dance-theatre, site-specific, craft, film, and kinetic textile works through residencies with The Ragdale Foundation, Links Hall, Chicago Cultural Center, Chicago Artists Coalition, Roman Susan Gallery, and South House (England).
Dylan Roth (collaborative dancer - she/her) is a Chicago-based dance artist. She received a Bachelor of Arts degree in Dance Performance Columbia College Chicago in spring 2012. Professionally, Dylan has performed with Aerial Dance Chicago, Banks Performance Project, Bodies in Urban Spaces, Carson Reiners, Cerqua Rivera Dance Theatre, Deeply Rooted Dance Theater's Emerging Artists Ensemble, Esoteric Dance Project, Kelly Anderson Dance Theatre, Khecari, Meadows Dance Collective, Synapse Arts, Sildance/AcroDanza, We Stand Sideways Dance, and The Space Movement Project.
Chrissy Martin (collaborative dancer - she/they)
Enki Andrews (projection designer - he/him) is a Chicago-based Multimedia Interactive Artist experimenting with physical phenomena to discover how humanity views itself in light of our finite human perceptions and how expanding those perceptions and reflections enhances our self-awareness. The Natural Sciences and Art ground his work as an inter-disciplinarian having earned degrees in Physics and Philosophy and an advanced degree in Hydrogeology while pursuing his art. Much of his work is inspired by Complex Systems, whether they be Bio-tech interactions, Bio-bio interactions or interactive multimedia installations.
Scott Rubin (sound designer - he/him) is a Chicago-based interdisciplinary artist, composer, and improvising violist whose work interrogates relationships between sound and movement through analog and digital means. His recent projects have involved collaborations with musicians and dancers, often incorporating interactive acoustic/electronic improvisation, expanded performance practices, motion-sensors, and live video. In these projects, he engages themes of intimacy, control, and the sublime.