Oct 22 2017 | 9:00 pm
Talibam! + Audrey Chen, Dave Rempis solo, Taralie Peterson & Ben Billington$10Talibam! + Audrey Chen, Dave Rempis Solo, Taralie Peterson & Ben Billington
Dadaist provocateurs with an innate love for the history of music. Talibam! is Matt Mottel and Kevin Shea.
AUDREY CHEN is a Chinese-American musician who was born into a family of material scientists, doctors and engineers, outside of Chicago in 1976. Parting ways with the family convention, she turned to the cello at age 8 and voice at 11. After years of classical and conservatory training in both instruments, with a resulting specialization in early and new music, she parted ways again in 2003 to begin new negotiations with sound in order to discover a more individually honest aesthetic.
Since then, using the cello, voice and occasional analog electronics, Chen’s work delves deeply into her own version of narrative and non-linear storytelling. A large component of her music is improvised and her approach to this is extremely personal and visceral. Her playing explores the combination and layering of the homemade analog synthesizer, preparations and traditional and extended techniques in both the voice and cello. She works to join these elements into a singular ecstatic personal language.
Dave Rempis was born in Wellesley, Massachusetts on March 24th, 1975. He began his musical studies at the age of 8, inspired by a family friend who played clarinet in local Greek bands, and by Zoot, of the Muppets Band, to pick up saxophone. During high school he performed in his town, district, and all-state bands and wind ensembles, as well as in a jazz combo at a local music school.
In 1993, Rempis moved to Chicago to study classical saxophone at Northwestern University with Frederick Hemke. Finding this environment stifling, Rempis quickly ditched the music degree to pursue studies in anthropology and ethnomusicology. During that time, he spent a year at the International Centre for African Music and Dance at the University of Ghana, Legon, studying African music and ethnomusicology. He also continued to perform with many different types of groups, ranging from highlife and reggae bands while in Ghana, to jazz, free jazz, funk, and contemporary music ensembles at home. He graduated from Northwestern in 1997, and decided to focus his efforts on performing, a decision which quickly paid off when he was asked to replace veteran saxophonist Mars Williams in the well-known Chicago jazz outfit The Vandermark Five in March of 1998. This opportunity catapulted him to notoriety as he began to tour regularly throughout the US and Europe playing clubs, concert halls, and festivals on both continents.
During his tenure with The Vandermark Five, Rempis also began to develop the many Chicago-based groups and international collaborations for which he’s currently known, including The Rempis Percussion Quartet, The Engines, Ballister, Rempis/Abrams/Ra, Wheelhouse, The Rempis/Rosaly Duo, and The Rempis/Daisy Duo. Many of these groups have been documented on the Okkadisk, 482 Music, Not Two, Clean Feed, Solitaire, and Utech record labels. Past collaborations have included performances with Paul Lytton, Axel Dörner, Peter Brötzmann, Hamid Drake, Steve Swell, John Tchicai, Roscoe Mitchell, Fred Anderson, Kevin Drumm, Paal Nilssen-Love, Nels Cline, Marshall Allen, Tony Buck, and Joe McPhee. Rempis has been named regularly since 2006 in the annual Downbeat Critics’s Poll as a “rising star” on both alto and baritone saxophone, a category that he won in 2017. He was also the recipient of the Ragdale Fellowship from the Herb Alpert Foundation in 2017, as well as an Individual Artists Program grant from the City of Chicago for his solo project “Lattice.”